![]() So, you can see that the utility of your text will generally dictate the tone and the style of typefaces you use. TT Slab Condensed is a compact, bold slab serif font. It has strong, bold letterforms, making it excellent for headers, logos, and any other area where you need your text to make an impact. Likewise, a typeface with heavy serifs would be difficult to read in the setup instructions for a home theatre, where the user is probably crouched in a tight, dark space as he plugs in equipment. Klose Slab is a contemporary, geometric slab serif typeface. Our selection of fonts is inspired by the country’s culture, art, and history, providing the perfect typeface for your next project. This is a design that is both robust and adaptable. Experience authentic Egyptian style with our free collection of Egyptian fonts. The Rockwell Nova family is a fine example of this appealing and eminently usable type style. Could you imagine speeding along the expressway trying to decipher a road sign written in a lavish script typeface? You couldn’t. Whether you call them slab serif, square serif, or Egyptian, you know them when you see them sturdy, nearly monoweight designs with blunt, straight-edged serifs and a no-nonsense attitude. For example a weighty serif typeface is appropriate for road signs. You should chose typefaces that are appropriate for the situations in which they will be read. More important than the tone of our document, your type should be suited to the utility of your text. Choose typefaces based on their associated mood and tone. They’re reminiscent of the time and place in which they were created because they embody the art and architecture of the time and place of origin. Outside of bullet characters, decorative type probably has no place in your résumé. Decorative typefaces are designed to add splash to your documents, but should be used sparingly. Characterized by extreme contrast, thin serifs, vertical axis, and no serif brackets. The name is an amalgamation of the surnames of the typefounders Firmin Didot and Giambattista Bodoni. Script typefaces are designed to mimic handwriting and calligraphy. Technology enables typographers to push the limits of typeface refinement. Sans Serif typefaces do not have serifs and typically do not have any stress. Slab Serifs are characterized by very thick serifs, little or no bracketing, and little or no stress. Modern type has even more contrast between thick and thin strokes, squared brackets where strokes and serifs meet, and vertical stress. Sánchez comprises 12 variants, ranging from extra light to black, each of the same x-height. Transitional type bridged the Old Style and Modern typefaces and had more refined serifs, greater contrast between thick and thin strokes, and moderately diagonal stress. It is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell, but with rounded edges offering contrast and balance to the square structure. The line through the thinnest parts of the O in the figure to the left shows the diagonal stress. Old Style type is very legible, has minimal contrast between thick and thin lines, rounded brackets where the stokes and serifs meet, and a diagonal stress. The blue lines indicate the angles of the stress, the slope of the terminals, and the brackets of the serifs.
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